Q: You have a connection to and affection for this city; when we first met I remember after you screened your short film pointing out the burning Winnipeg-Edmonton NHL rivalry how delighted you were when I told you we were essentially unaware of it. But talk about what you absorbed in this ecosystem.
A: Everything I know about Edmonton comes from Trevor Anderson and his films. I was a filmmaker-in-residence at FAVA in 2014 and met all the great and wild people in Trevor Anderson’s Edmonton. I also spent the summer of 2021 in Edmonton playing a depressed single dad in Before I Change My Mind, Trevor’s first feature which was of course also co-written by Edmonton’s own Fish Griwkowsky. I have no children, but I nonetheless AM a depressed single dad and Trevor could see that from a thousand miles away. I wouldn’t have been able to act in my own film Universal Language had I not first acted for Trevor. I’m also told that Edmonton produces over 50,000 Hallmark films per year, which is almost as much as Winnipeg.
Q: Our cities also share architectural impulses …
A: One thing I love about walking around Edmonton is seeing all small, beige structures. These remind me so much of the small, beige structures I grew up with in Winnipeg. So many great ones in Edmonton. Never escalating beyond three stories, never putting on airs with a balcony or too many obstructing trees, really just full commitment to beige. Usually, they are apartment buildings or sometimes chartered accountancy firms. In the winter, these small, beige structures reflect the winter sun so beautifully and create warmth upon the cold white prairie. At the end of each day, the western-facing walls of beige literally glow with light, like glorious square sunsets. If you’re a fan of small, beige structures then our movie Universal Language is for you. I tried to film as many as I could.